Marvelous! Or, the Death of Cinema

Captain America, or The Empire Yassified

Nicole is simps over Chris Evans and his big feet, Stu is leads the crusade against body fascism, and a man dressed like a flag punches Hitler - It's Captain America: The First Avenger. Join us as we trace the MCU's retconned origins back to WW2 and we discuss the origin point of American Hegemony, the mythology of liberal imperialism, the genre's immanent inability to confront it's own moral contradictions, sperg out over period military tech and much more! 
 
Production by Miguel Tanhi. Art by Zoe Woolley. Follow us at @MarvelousDeath for updates! If you enjoy the show please consider supporting us by leaving a rating or review on your preferred podcast distributor. 

Thor, or What If E.T. Was Sexy?

Half of this movie is sexy ET without sex, half of this movie is Shakespeare in Space but without any drama. Nicole wants to know how this movie didn't kill the MCU in the crib. Stu wants to know why Kat Dennings is shilling crypto. The movie is bad. The podcast is good. It's the "Marvelous!" Thor episode.
 
Production by Miguel Tanhi. Art by Zoe Woolley. Follow us at @MarvelousDeath for updates! If you enjoy the show please consider supporting us by leaving a rating or review on your preferred podcast distributor. 

The Mad Dutchman: A Paul Verhoeven Retrospective [Watch Something Else #1]

This is the inaugural episode of "Watch Something Else", in which we discuss movies that actually kick ass and recommend that you watch them.
 
This week (Bi-week? Fortnight?) Nicole and Stu take a partial look at the career of Paul Verhoeven, noted Dutch Christ scholar and sometimes filmmaker. We examine the theological themes, the Christian analogies, and the explicit sex and ultra-violence of such films as Flesh + Blood, Robocop, Total Recall (briefly), Starship Troopers, and Nicole calls for a critical reevaluation of 2000's nearly forgotten thriller Hollow Man. I'd buy that for a dollar!
 
Paul Verhoeven will be back in "Mad Dutchman Returns", when (some day) we get around to discussing Showgirls and Benedetta.
 
Production by Miguel Tanhi. Art by Zoe Woolley. Follow us at @MarvelousDeath for updates! If you enjoy the show please consider supporting us by leaving a rating or review on your preferred podcast distributor. 
 

Iron Man 2, or Three Action Scenes in a Trenchcoat

Nicole and Stu take a look at Iron Man 2, three action scenes in a trenchcoat pretending to be a movie. It's boring. It's meandering. It has a lot of plot threads that don't go anywhere. It's dumb as rocks and retreats from and muddles further whatever meager social commentary even the first film could muster. It's bad! So instead of watching this turd listen to our conversation about it, which is slightly shorter and substantially more entertaining!
 
Production by Miguel Tanhi. Art by Zoe Woolley. Follow us at @MarvelousDeath for updates! If you enjoy the show please consider supporting us by leaving a rating or review on your preferred podcast distributor. 

The Dark Knight, or Joker Did 9/11

For our first excursion outside the realm of the MCU Nicole and Stu take a look at another 2008 movie. One that was even bigger than Iron Man, even more a reaction to the Bush era, and equally formative on the following decade's  blockbusters, in particular defining the style and tone of Warner Bros attempts to build a competing cinematic universe. Is it a neocon tract? Fascist apologia? Or is there more going under the hood with the movie IMDB users once rated the greatest ever made?
 
Production by Miguel Tanhi. Art by Zoe Woolley. Follow us at @MarvelousDeath for updates! If you enjoy the show please consider supporting us by sharing links, subscribing to our Patreon, and/or leaving a rating or review on your preferred podcast distributor. 

The Incredible Hulk, or Hulk (Can Not) Smash

He's big, he's green, and he's... remarkably boring. Also he can't have sex with Liv Tyler. In the pod's own troubled* sophomore outing, Nicole and Stu talk about 2008's almost forgotten The Incredible Hulk. We go over the film's production woes, the conflict between the studio, the director, and miscast star Edward Norton, its failures as a movie, and how the media franchise that now rules culture with an iron fist almost sunk out of the gate - a conversation much livelier than its subject. 
 
*Nicole's power goes out
 
Production by Miguel Tanhi. Art by Zoe Woolley. Follow us at @MarvelousDeath for updates! If you enjoy the show please consider supporting us by sharing links, subscribing to our Patreon, and/or leaving a rating or review on your preferred podcast distributor. 

Iron Man, or The Empire Redeemed

Nicole and Stu start at the beginning with 2008's Iron Man. There was no plan. There wasn't even a script. An indie director on the come-up took a long-shot casting a burnt out has-been who's charisma and pathos single-handedly turned a mid-tier action film into a monster hit that would spawn a monstrous cultural behemoth. We take a look at the troubled production, Downey Jr's charisma, and the film's confused politics as it tries simultaneously to critique the military-industrial complex while celebrating American empire and exceptionalism at the close of the Bush Era.
 
Production by Miguel Tanhi. Art by Zoe Woolley. Follow us at @MarvelousDeath for updates! If you enjoy the show please consider supporting us by sharing links, subscribing to our Patreon, and/or leaving a rating or review on your preferred podcast distributor.